The Realms of the Gods (1996) | How Woke Is It?

Our VerdictNot Woke

17%

The Realms of the Gods1996

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

For a 1996 fantasy YA novel, 'The Realms of the Gods' is refreshingly non-woke by modern standards. Strong, capable lead characters don’t come at the expense of the traditional adventure spirit, and the book embraces fantasy world-building without hammering an ideological agenda.

Score Breakdown

Compromised:Narrative Integrity

Mildly Woke

What is this?

While the protagonist, Daine, has unique magic and is very competent, character development remains fairly balanced and the focus stays on adventure. Diversity serves the fantasy world’s logic, not modern checklists. Some may say Daine’s journey tilts toward exceptionalism, but it's grounded in the established universe, so narrative integrity holds up quite well for the era.

Compromised:Cultural Foundations

Not Woke

What is this?

Traditional themes like heroism, responsibility, and family bonds are retained, alongside respect for nature. Gender roles are progressive for the time, with strong female and male characters collaborating without demeaning one another. The story doesn’t undermine conventional values so much as add nuance, so cultural revisionism is limited and largely nonintrusive.

Compromised:Ideological Monoculture

Not Woke

What is this?

Alternative worldviews appear through varied magical creatures, gods, and different cultures within the fantasy realm. There’s no heavy-handed vilification of traditional perspectives or forced ideological uniformity. Internal conflicts and differing perspectives are presented, keeping the story non-monolithic in its outlook.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.