This film focuses almost entirely on its dark, post-apocalyptic narrative and the flawed, survival-driven personalities of its leads. There’s little to no emphasis on modern identity politics or forced representation. The story’s strength comes from its gritty, uncomfortable character interactions, not a checklist of contemporary ideological concerns.

Religion, traditional morality, masculinity, and even family are presented as casualties of civilization’s collapse rather than as themes to undermine. Masculinity is not mocked but instead presented in a raw, if problematic, form consistent with the harsh world depicted.

In our view, the film is more interested in bleak satire and social commentary than in pushing any modern moral consensus. There’s actually a fair amount of internal conflict and challenge to what little ‘order’ exists; no one worldview dominates the narrative.