A Christmas Horror Story largely avoids forcing modern identity politics into its narrative. The film focuses on traditional horror storytelling and various characters tied to familiar Christmas settings, rather than checking diversity boxes. There’s little evidence of forced representation or characters unrealistically flawless due to identity.

While the film plays with Christmas and folklore (including Krampus), it doesn’t go out of its way to undermine faith, family, or traditional values. Subversion is more in line with horror genre conventions than ideological rewriting. No outright mockery of masculinity or religion was apparent.

There’s no strong push for a particular worldview, and no obvious caricatured villains standing in for traditionalists. The film doesn't waste time virtue signaling or making political statements. It remains focused on scares and dark holiday fun rather than hammering home a moral consensus.