A Fall from Grace mostly adheres to classic thriller and courtroom drama conventions. Identity is not overtly prioritized over plot or character development. Characters are flawed and human, displaying growth. No obvious forced representation or flawless 'diverse' characters on display. It really plays things straight, focusing on the story's twists rather than on explicit ideological messaging or ticking diversity boxes.

The film respects traditional themes such as family, faith, and justice. Masculinity, femininity, and morality are depicted in a way that feels familiar and not subverted. There’s no overt attempt to rewrite cultural norms or paint traditional values as backward. In fact, the courtroom and faith setting feels quite conventional.

There is little evidence of mocking or villainizing alternative viewpoints. The antagonist’s actions are driven by individual motivation rather than ideology. The film doesn’t seem interested in pushing a singular moral stance, and most characters represent a spectrum of beliefs and flaws, allowing for genuine engagement with traditional as well as modern ideas.