The film largely respects its source material, focusing on the horrors of war rather than modern ideological messages. Characters are depicted with nuance, and their arcs develop through their experiences rather than identity factors. There is little evidence of forced casting or one-dimensional characters created for the sake of representation.

While the movie is anti-war and depicts authority figures and institutions somewhat cynically, it remains grounded in the historical realities of World War I. There’s no overt desire to undermine family, faith, or traditional masculinity; instead, it highlights the impact of war on these foundations.

The narrative does not seem to overtly villainize traditional perspectives. It’s a critique of war, not a lecture on modern social issues, and alternative viewpoints are present in the spectrum of characters’ experiences. The film doesn't enforce a uniform ideological message by today's standards.