An American in Paris (1951) | How Woke Is It?

Our VerdictNot Woke

An American in Paris1951

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

An American in Paris is about as unwoke as it gets by modern standards, romantic, traditional, and unconcerned with identity politics. It’s a refreshing reminder of optimistic, character-driven storytelling where the only 'agenda' is a good song and dance.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

An American in Paris is firmly rooted in traditional storytelling, focusing on personal talent, romance, and perseverance rather than identity politics. Characters are developed through their actions and relationships, not by highlighting modern notions of race, gender, or sexual orientation.

Compromised:Cultural Foundations

Not Woke

What is this?

The film upholds mid-century values, family, romance, masculinity, and optimism are all portrayed positively. There’s no attempt to undermine traditional roles or reframe Western cultural traditions; if anything, it celebrates them through music and dance.

Compromised:Ideological Monoculture

Not Woke

What is this?

While the film mostly reflects the moral consensus of its era, there’s no overt mocking of dissenters or caricatured villains representing alternative worldviews. Its ideological scope is simply reflective of 1950s America, not enforcing today’s dogmas.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.