In our view, 'And Then We Danced' places strong emphasis on the protagonist's sexuality and identity struggles, often prioritizing these themes over a more traditional exploration of dance, culture, or broader character growth. The narrative can feel somewhat secondary to the ideological message, with identity topics at the forefront throughout.

The film directly challenges and subverts traditional Georgian values around masculinity, national identity, and dance. Religious and cultural norms are portrayed as repressive, while non-traditional expressions are celebrated. Traditional culture is depicted primarily as an obstacle to individuality and progress.

Alternative perspectives, particularly those upholding traditional Georgian values, are largely villainized or presented unsympathetically. There’s little meaningful debate or nuance, and the film’s perspective on modern identity is treated as universally positive with dissenters reduced to antagonists.