Arabian Nights (1974) largely prioritizes storytelling over modern ideological agendas. Characters are cast for authenticity, drawing from actual Middle Eastern and North African backgrounds, with a focus on narrative over diversity checklists. Some artistic liberties exist, but not in service to overt identity politics. The film feels like a genuine adaptation, not a vehicle for social commentary.

This film interprets folk tales from an era before contemporary debates on gender, race, or ideology. While it features open sexuality and some unconventional relationships by Western standards, it doesn't undermine traditional religion, masculinity, or family values in a deliberate, modern sense. Most of its transgressiveness comes from artistic nudity, not ideological subversion.

Arabian Nights doesn't push a modern ideological monoculture. The film explores themes of sexuality and fate without clearly villainizing traditional values or forcibly promoting a uniform worldview. It showcases diversity inherent in the original stories without shoehorning current political narratives. There's no sense that alternative worldviews are mocked or excluded.