Atlas Shrugged: Part II clearly prioritizes narrative and philosophical themes over enforcing identity politics. The film is more focused on its story and ideas than box-checking or forced representation. The characters are defined by their ambition and ideology rather than their race, gender, or sexuality. All narrative choices serve the adaptation, not modern ideological trends.

This film leans heavily into individualism, personal responsibility, and the morality of self-interest. It doesn't mock family, religion, or masculinity, in fact, it upholds traditional values and capitalistic ethics as virtues. There’s no attempt to rewrite cultural or historical perspectives to fit a modern mold.

While it does present alternatives to the main worldview, the film isn’t interested in promoting a modern progressive monoculture. The real 'villains' are bureaucrats and collectivists, not traditionalists. There’s genuine debate and ideological conflict between characters, providing some pluralism.