The film centers almost entirely on sexuality and identity at the expense of deeper character development. Personality and genuine human struggle often take a backseat to the depiction of sexual orientation and the 'forbidden romance' trope. It seems character depth and growth are sacrificed in favor of making a larger social point, resulting in scenes that can feel more like statements than story.

Traditional family, religious values, and masculine expressions are either absent or portrayed as restrictive obstacles. The film’s narrative could be interpreted as subverting established cultural norms, with clear focus on breaking away from conventional relationships and roles, often presenting them as repressive. This all-in attitude lands it high on the cultural revisionism scale.

Alternative viewpoints are more or less left in the dust, with little meaningful space given to characters who do not embrace the central modern ideology. Traditional perspectives are underexplored, often implied to be barriers to personal freedom, leading to a fairly insular ideological echo chamber.