Blue Jay focuses on two former high school sweethearts reconnecting, featuring raw and intimate performances. The characters are written as individuals, not as representatives of identity groups, and the story isn’t driven by any overt ideological agenda. Representation feels natural and not forced, keeping the emphasis on character and narrative.

Traditional themes like family, regret, and personal growth take center stage. There is no undermining or mockery of family structure or masculinity; both leads are handled with nuance. The film treats cultural and moral dynamics with sincerity, avoiding the usual ‘let’s upend everything’ approach.

There’s certainly no heavy-handed ideological preaching here. While the film is introspective and emotional, it avoids villainizing tradition or showcasing only one worldview. The story is very much about the two individuals, not about pushing political talking points or lampooning dissenters.