Book of Shadows: Blair Witch 2 focuses on supernatural and psychological horror rather than modern identity issues. Characters are developed by their behavior and personal histories rather than being shoehorned into roles based on race, gender, or sexuality. No obvious forced representation or flawless diverse heroes here, just a messy bunch dealing with a messy situation.

The film doesn’t have an underlying agenda to undermine religion, traditional family, or masculinity in particular. While it pokes at belief in the supernatural, it’s more a critique of urban legends than a direct attack on cultural foundations. Standard horror film subversion, nothing aggressively ideological.

The movie doesn’t dwell on modern ideological battles. There’s no comical villainization of dissenting views, nor do all characters march in lockstep with the same woke talking points. The internal conflicts are personal and supernatural, not political or social.