Brahms: The Boy II (2020) | How Woke Is It?

Our VerdictNot Woke

Brahms: The Boy II2020

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

“Brahms: The Boy II” is a thoroughly non-woke film, prioritizing classic horror and suspense over any sermonizing about identity or ideology. Solidly inoffensive on all listed ‘woke’ metrics.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

This horror film focuses on a traditional supernatural narrative, with characters and events driven by suspense rather than identity politics. There’s no overt emphasis on race, gender, or sexuality beyond standard genre tropes. The story mostly sticks to horror conventions without inserting contemporary ideological agendas.

Compromised:Cultural Foundations

Not Woke

What is this?

Religion, family, and masculinity are not targeted or undermined in any noticeable way. If anything, the film centers on the traditional nuclear family and generally leaves cultural themes untouched. No attempts at revisionism or activism are apparent.

Compromised:Ideological Monoculture

Not Woke

What is this?

It does not villainize alternative perspectives or insist on only one worldview. The focus remains firmly on scares and supernatural intrigue rather than blanket moralizing or promoting a monoculture of beliefs.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.