Death to 2020 (2020) | How Woke Is It?

Our VerdictHyper Woke

92%

Death to 20202020

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

Death to 2020 doubles down on delivering a sharply one-sided, deeply modern ideological take on recent events. If you like your satire with a heavy dose of woke worldview and little risk of hearing a genuinely alternative opinion, you’ll be right at home. For everyone else, expect little subtlety or balance.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

Death to 2020 feels less like a narrative and more like an hour-long string of political takes. Identity and modern ideological battles are front and center, sometimes at the expense of comedic storytelling. The emphasis on showcasing certain viewpoints outweighs any attempt at a balanced or nuanced portrayal of events, leading to a film that prioritizes messaging over plot or character.

Compromised:Cultural Foundations

Hyper Woke

What is this?

In our view, traditional institutions and cultural touchstones are treated mostly as punchlines or outdated relics. The film paints religion, family, and older values with a broad, dismissive brush, mostly for the sake of satire. Masculinity and traditional roles are subject to lampooning, consistently subverting rather than exploring them.

Compromised:Ideological Monoculture

Hyper Woke

What is this?

Virtually every joke or point of view in Death to 2020 leans one direction, often mocking or vilifying perspectives outside of a narrow modern ideology. Alternative viewpoints appear only as caricatures for ridicule. The film contains virtually no sincere pluralism or complex internal debate.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.