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What We Think
Every Day is a textbook example of modern filmmaking that puts progressive ideology front and center, with little patience for tradition or nuance. The story bends over backward to normalize fluidity and non-traditional identity at the expense of narrative and depth. Definitely on the higher side of the woke spectrum.
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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.