The film makes identity a central focus, race, sexuality, and motherhood all factor heavily into both plot and character arcs. Some viewers might feel that these identity themes occasionally overshadow organic storytelling and character development, as the narrative bends at times to hit certain representation notes. The story still has emotional resonance, but the prioritization of modern identity struggles can feel heavy-handed.

‘Everything Everywhere All at Once’ frequently challenges and subverts traditional family roles, masculinity, and religion, presenting the old ways as obstacles for the protagonist to overcome. There’s a strong emphasis on modern acceptance, queerness, and breaking free from cultural expectations, a key driver of the plot that may feel, shall we say, a tad preachy to those who prefer tradition.

The film embraces a decidedly one-sided modern worldview, leaving traditional perspectives mostly in the dust or painting them as sources of conflict. Traditionalists, particularly the stern grandfather, are depicted as needing to change or adapt, and dissent rarely gets sympathetic treatment. There’s little room for debate: acceptance is the default moral imperative here.