'Father of the Bride' (1991) focuses on classic comedic storytelling, with character arcs built around personality rather than identity. There's no apparent focus on forced diversity or shifting character traits for ideological messaging. The drama is character-driven and family-centric, not ideology driven. Any representation choices are consistent with the upper-middle-class California setting.

The film actually upholds family, marriage, and traditional fatherhood, presenting these as meaningful and important, almost quaint by today's standards. Masculinity is played for laughs but portrayed affectionately, not undermined or vilified. Cultural and religious touchstones are not mocked, subverted, or modernized.

While the film doesn't offer deep debate about alternative worldviews, it doesn't villainize or caricature traditional perspectives either. If anything, it celebrates a classic family dynamic. Any monoculture is simply the mainstream, non-woke outlook typical of early-90s American comedies.