Funhouse mostly prioritizes its reality-horror plot over any overt ideological concerns. Characters appear to be chosen for genre archetypes and reality TV stereotypes rather than identity or forced virtue signaling. There are some moments that flirt with modern tropes, but these are not the focus. It’s primarily interested in spectacle and shock.

Traditional themes like morality and consequences are present in the film, with some critique of fame culture. There’s no noticed direct attack on family, religion, or masculinity beyond what you’d see in a dark satire. The film seems more interested in cynicism than ideology.

While the film lampoons certain aspects of influencer culture, it doesn’t present a monolithic worldview or demonize traditional perspectives. Characters are a mix, mostly ineffective, but not portrayed to push a singular ideological message.