The film focuses heavily on character personality and personal struggles, not identity politics. Casting and character development prioritize fit within the story rather than box-checking or ideological signaling. The protagonist is a complex, world-weary man whose journey is rooted in traditional character arcs rather than surface-level representation.

There is very little in the way of subverting traditional moral or cultural structures. Masculinity, faith, and morality are portrayed through the lens of a troubled but still sympathetic lead; none are mocked or radically reinterpreted for modern sensibilities.

Alternative viewpoints, especially traditional ones, aren’t villainized, if anything, the story is mostly focused on personal redemption and existential struggle. There’s no obvious push for ideological uniformity, and no major agenda-driven characters or story beats.