It's All Gone Pete Tong (2004) | How Woke Is It?

Our VerdictNot Woke

It's All Gone Pete Tong2004

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

A refreshingly non-woke film, 'It’s All Gone Pete Tong' centers on character-driven storytelling and messy realism without even a whiff of forced ideology. In today’s climate, that’s almost retro.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

In our view, the film puts character, personal struggle, and dark humor at the forefront. Identity politics or forced representation are basically absent; the main character’s flaws and journey are relatable and grounded in realism, not ideology. No 'box-checking' or plot sacrifices for political messaging here.

Compromised:Cultural Foundations

Not Woke

What is this?

Family, masculinity, and personal redemption are depicted without mockery or subversion. There’s no preachiness about traditional values or attempts to rewrite history. If anything, it’s a messy, human story with no ideological ax to grind against cultural norms.

Compromised:Ideological Monoculture

Not Woke

What is this?

There’s little sign of ideological uniformity or the villainization of dissent. It’s simply not a film with ideological messaging as its main focus. The characters and situations feel messy and pluralistic, not filtered through a modern lens.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.