The film’s central character is a young woman championing condom sales in a small Indian town, a premise heavily driven by identity and single-issue activism. Traditional narrative depth occasionally takes a back seat to moral messaging. While it claims to spark conversation, some viewers may feel character development is secondary to ideological aims.

Janhit Mein Jaari consistently challenges traditional norms around family, gender, and morality. The story deliberately subverts conservative views on sexuality and routinely frames tradition as regressive. Religion and family concerns are handled with an eye-roll rather than sincere exploration, which can be frustrating for those who value cultural continuity.

The film’s portrayal of opposition is mostly cartoonish, critics of the lead’s crusade are framed as ignorant or hostile, with little room given to legitimate concerns or diverse perspectives. There’s little in terms of balanced debate: the ‘right side’ is obvious, removing meaningful pluralism.