King of the Hill (1993) | How Woke Is It?

Our VerdictNot Woke

King of the Hill1993

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

"King of the Hill" is a relic from a less fraught time, where storytelling took precedence over lecture. With its grounded focus on real human challenge and barely a whiff of forced messaging, it barely registers on the woke-meter. Non-woke film fans, breathe easy with this one.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

"King of the Hill" (1993) tells a deeply personal coming-of-age story without shoehorning in modern identity politics. Characters stand out for their personalities, struggles, and growth, not for checking boxes on race, gender, or sexuality. The film’s focus on narrative and authentic challenges keeps it refreshingly non-woke by today's standards, staying true to its era.

Compromised:Cultural Foundations

Not Woke

What is this?

The film depicts family bonds, perseverance, and hardship during the Great Depression without mocking tradition, masculinity, or faith. Instead of deconstructing cultural roots, it highlights them sympathetically. Nothing here screams re-education or cultural subversion; it’s more about survival and human resilience than upending societal structures.

Compromised:Ideological Monoculture

Not Woke

What is this?

Alternative perspectives aren’t villainized; characters come with their own flaws and viewpoints, rooted in the time period. There’s no heavy-handed promotion of a particular modern ideology, just a slice-of-life story where moral conflicts feel genuine, not filtered through a contemporary lens. The film offers room for nuance and earnest characterization.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.