Kung Fu Yoga is an action-adventure comedy mixing Chinese and Indian cultures, with character choices generally driven by plot, not by modern identity politics. There’s no forced representation, and character traits remain secondary to the over-the-top action sequences and antics. Any diversity fits the story’s binational premise rather than feeling shoehorned for ideology.

The film portrays traditional values like family, respect for heritage, and even playful jabs at national pride. Masculinity and femininity are played straight, often in broad comedic strokes. There’s no agenda to subvert or satirize religion, tradition, or established gender roles. If anything, it leans into them for comic effect.

There’s little evidence of ideological monoculture. The film largely avoids contemporary Western moral debates. It relies on international escapist adventure tropes, with any ideological content so light it barely registers. Cultural differences are a source of fun, not lecturing.