"Life After Beth" sticks to its oddball zombie-romance premise without shoehorning in identity politics. Characters are developed based on personal quirks, not ideology, and their backgrounds aren't forced into the narrative for representation points. The film's focus is on relationship dysfunction and the horror-comedy angle, not modern social themes.

The film portrays family and relationship dynamics in a way that's more quirky than politically charged. It doesn't aggressively undermine masculinity, religion, or traditional values. Rather, it pokes fun at generational gaps and awkwardness without feeling like it's making a grand ideological statement against cultural norms.

This movie avoids using its premise to lecture. It doesn't villainize tradition or push a particular worldview. There's little evidence of ideological groupthink, and characters display a spectrum of quirks and flaws rather than marching in lockstep to 'approved' ideas.