The film relies on classic screwball comedy conventions, character-driven humor, and gender dynamics reflective of its era. There's no evidence of identity-based casting or modern ideological interference overriding the narrative or character arcs. In fact, the storytelling is built around personality flaws and witty conflict, not political statements.

‘Lover Come Back’ sticks to traditional views on gender, romance, and workplace dynamics, typical for the early 1960s. Masculinity and femininity are played up for comedic effect, but the film doesn't seriously undermine family, religion, or traditional morality. If anything, it doubles down on the expected roles of its time.

While alternative perspectives are mostly absent, this is common for films of that era rather than a deliberate exclusion. Traditional views are presented without satire or villainization, and there's no trace of the modern ideological monoculture that dominates much of today’s Hollywood output.