While "Maestro" focuses heavily on the relationship between Leonard Bernstein and his wife, it doesn't overtly sacrifice narrative for current ideological trends. However, some viewers might find the strong emphasis on Bernstein’s bisexuality takes the spotlight at the expense of broader character development and legacy, nudging up the ‘woke’ scale a bit.

There’s a clear reframing of traditional family and marital roles, with infidelity and unconventional relationships depicted sympathetically. The film seems to reconsider historical norms through today's lens, which could be seen as undercutting some cultural traditions around marriage and masculinity.

Alternative or traditional perspectives on family and sexuality are largely absent and not explored with any depth. Instead, the story frames its more progressive assumptions without much challenge or internal debate, so there’s a definite lean toward ideological uniformity.