The film seems to lean heavily into identity-based casting and plotlines, foregrounding gender and marital dynamics over character depth or narrative novelty. It can feel like the characters exist mainly to tick contemporary representation boxes rather than for compelling storytelling, making the ideological message more prominent than organic character arcs.

Traditional family and marriage values are consistently questioned or satirized. Masculinity is played for laughs, while non-traditional relationship choices are celebrated without much nuance. It comes across as a deliberate attempt to modernize or even undermine the cultural framework of marriage.

Any character voicing traditional views is portrayed as old-fashioned or out of touch, with little sincere discussion. The film promotes a single progressive moral outlook without debate or authentic alternative representation.