The film is laser-focused on its subject, Yukio Mishima, with narrative choices rooted in his personal journey and complex worldview. There is no evidence of identity being prioritized over character or theme, and no forced representation present. Artistic integrity remains at the center, making this a bastion of non-woke storytelling by modern standards.

Rather than mocking tradition, religion, or masculinity, the film deeply explores Mishima’s philosophical engagement with these topics. There is no revisionism or subversion; instead, it dives into conflict between modernity and tradition without caricaturing either side.

The film presents a complicated portrait of Mishima without purely vilifying or glorifying him. Traditional and modern concepts clash on screen, and viewers are left to wrestle with conflicting worldviews. There’s artistic nuance, rather than ideological uniformity or caricatured dissenters.