Money Train mostly sticks to action-comedy basics, with casting that feels organic and character-driven. The film features leads of different races, but this doesn't overshadow the plot or become the centerpiece of the narrative. Identity factors aren't forced or highlighted at the expense of genuine storytelling. Character flaws, rivalry, and growth feel authentic rather than written to check boxes.

Traditional masculinity, brotherhood, loyalty, bravery, are central, and family bonds take precedence over ideology. Religion, cultural foundations, and gender roles are left untouched, with no lectures or attempts to undermine values. The film neither mocks nor revises cultural traditions; it lets its characters grapple with relatable, human stakes.

Alternative perspectives exist in the characters’ world; no one moral lens dominates the dialogue. No clear ideological sermons, and traditional perspectives aren’t ridiculed or flatly villainized. The story is more about individual choices than collective dogma, and a variety of viewpoints are allowed to breathe without monolithic morality.