Mr. Holland's Opus (1995) | How Woke Is It?

Our VerdictNot Woke

15%

Mr. Holland's Opus1995

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

Mr. Holland’s Opus is blissfully non-woke by today’s standards, a straightforward, heartfelt film about music, family, and legacy, with little evidence of modern ideological box-ticking.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

Mr. Holland’s Opus is largely focused on character-driven storytelling, where identity issues take a backseat. Characters are developed according to their roles, talents, and personalities instead of contemporary identity politics. No forced representation or artificial elevation of traits is apparent, just plain old school drama. Refreshing.

Compromised:Cultural Foundations

Not Woke

What is this?

Traditional values like family, perseverance, and dedication are emphasized. Masculinity and parenthood are depicted with nuance, and the film treats religion, family, and cultural history with respect. There’s no overt agenda to rewrite culture or ridicule the basics; if anything, it’s a time capsule of nostalgia.

Compromised:Ideological Monoculture

Mildly Woke

What is this?

While it’s a feel-good film, there’s room for multiple perspectives. Mr. Holland’s struggles with admin, family, and his deaf son are treated sincerely. No villainizing of tradition or dissent. It’s not a hotbed of debate, but it doesn’t seem intent on stamping out alternative views, either.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.