The film stays largely grounded in historical drama, focusing on political intrigue and the lead-up to WWII. While there are a few moments that hint at modern sensibilities, character arcs and tensions are primarily driven by the actual context of the times rather than identity or ideology. Forced representation or overt ideological insertions are minimal.

Traditional institutions and cultural touchstones like diplomacy, nationhood, and leadership are represented authentically and with nuance. There's little subversion of masculinity or family values, and religion is mostly absent, as fits the era and subject. The presentation is mostly respectful of historical context.

While the film's message leans toward anti-war consensus, it avoids caricaturing dissenting perspectives. There's an undercurrent of modern morality, but characters are portrayed with pluralism and internal conflict rather than ideological uniformity. No obvious villainization of non-modern values is present.