No Entry (2005) | How Woke Is It?

Our VerdictNot Woke

12%

No Entry2005

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

‘No Entry’ is laughably far from woke by modern standards, traditional, occasionally cringeworthy, and focused on harmless fun. Its biggest crime is slapstick, not social justice. Rest easy; you won’t find much virtue signaling here.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

'No Entry' keeps character focus on comedic flaws and relatable foibles, rather than using identity boxes. The cast was chosen largely for star power and comedic delivery, not to tick off diversity checklists. Character arcs are silly, but they're rooted in recognizable human folly, not social engineering.

Compromised:Cultural Foundations

Not Woke

What is this?

The film leans heavily on traditional themes of marriage, loyalty, and family, even if it does so with slapstick and exaggeration. Masculinity and femininity are played for laughs, but don’t undermine cultural values, if anything, they're exaggerated in classic Bollywood comedic style.

Compromised:Ideological Monoculture

Not Woke

What is this?

There’s a wide range of viewpoints shown: flawed husbands, righteous wives, and meddling friends. No side is treated as perfect, and traditional morals are more lampooned than villainized. There's no real push for modern ideological groupthink here.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.