The film centers on motherhood and friendship, with a focus on women supporting each other. While the story broadly aligns with traditional themes, it does lean into identity-driven casting and modern perspectives on parenting and gender roles. It doesn’t fully sacrifice character for identity, but the “woke” angle is plainly evident in several character dynamics and dialogue choices.

Otherhood frequently challenges traditional gender roles, showcasing male characters as emotionally unavailable or directionless, while the women are portrayed as more competent and nurturing. There's a subtle undermining of traditional family structures and masculinity, leaning into modern stereotypes about male ineptitude.

The film largely operates within a modern, progressive worldview. Alternative perspectives (especially anything resembling traditional values) are at best gently mocked and at worst ignored entirely. It’s a one-way street ideologically, with little genuine debate or diversity of thought among its leads.