From what can be gathered, 'Pindam' focuses primarily on its supernatural horror narrative, not on forcing identity politics or mandatory representation. The film seems more interested in storytelling than in checking ideological boxes. Diverse characters or modern ideological mandates don't crowd out plot or character development. Frankly, it's refreshing to see a movie where plot comes first!

The film appears to respect traditional ideas about family, spirituality, and cultural beliefs, which are often at the heart of Indian horror. There’s no obvious attempt to subvert gender roles or diminish religion. The family dynamics and supernatural themes seem rooted in traditional values rather than modern ideological revisionism.

There’s minimal evidence of ideological monoculture. The focus stays on the haunting and the human response to evil. No clear agenda to villainize tradition or to promote a singular modern worldview, making for a more pluralistic and less preachy film.