Prêt-à-Porter (1994) | How Woke Is It?

Our VerdictNot Woke

20%

Prêt-à-Porter1994

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

‘Prêt-à-Porter’ is much more interested in lampooning the excesses of high fashion than preaching any modern woke gospel. Non-woke viewers will find its brand of satire innocuous and untethered to contemporary identity politics.

Score Breakdown

Compromised:Narrative Integrity

Mildly Woke

What is this?

Prêt-à-Porter is more interested in satirizing the fashion world than pushing identity politics. Characters are eccentric but not defined primarily by modern identity markers. The story spreads focus too widely for heavy-handed messaging, aiming more for farce than activism.

Compromised:Cultural Foundations

Mildly Woke

What is this?

The film lampoons decadence and superficiality in fashion but doesn’t wage war against traditional values, masculinity, or family. Any cultural critique is directed toward industry absurdities, not society’s foundational pillars.

Compromised:Ideological Monoculture

Not Woke

What is this?

There are diverse viewpoints, if only for comic effect. The movie doesn’t push a single ideological line. Instead, it pokes fun at everyone in its crosshairs, avoiding outright caricatures of non-woke characters or perspectives.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.