“Red Notice” sticks close to standard heist-comedy formula, but occasionally inserts quippy nods to identity and representation. While the casting is diverse, it more or less serves the plot, and none of the main characters are unrealistically flawless or ideological caricatures. There’s a mild sense of forced representation but not enough to derail the film's entertainment value.

The film is largely apolitical and doesn’t bother much with deep commentary on family, faith, or traditional masculinity. While some jokes riff on gender roles, they’re mostly harmless and played for laughs, so traditional values aren’t overtly undermined or mocked. “Red Notice” aims for a global, non-offensive vibe.

The movie doesn't promote or ridicule any strong ideological viewpoint. It keeps worldviews pretty surface-level, and while traditional characters aren’t given much depth, neither are alternatives. There’s little ideological plurality, but also not much intentional villainization of dissenting perspectives.