“Romancing the Stone” puts story first, with characters defined by personality and growth rather than shoehorned identity markers. Casting and character arcs feel organic, no hint of modern box-checking or forced representation. Joan is vulnerable, flawed, and relatable, while Jack has ample space to shine, dodge danger, and rescue damsels. Merit and chemistry are front and center.

This film treats romance, masculinity, and traditional relationships with a refreshingly classic touch. The dynamic between Joan and Jack takes inspiration from adventure serials, and neither gender is dismissed or mocked, just good, old-fashioned fun and partnership. Family and masculine virtues aren’t undermined or pathologized here.

There’s no obvious ideological monoculture; differing motivations exist, from greed to heroism. No strawman depiction of alternative worldviews, villains are motivated by greed, not by standing in for any 'unwoke' archetype. No soapboxing, just a diverse cast of rogues and heroes with personal stakes.