Rome, Open City (1945) | How Woke Is It?

Our VerdictNot Woke

10%

Rome, Open City1945

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

“Rome, Open City” is about as non-woke as they come. It’s preoccupied with gritty survival and resistance, not modern ideological debates. Any so-called “woke” content is absent; this is old-school storytelling anchored in time, place, and classic morality.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

“Rome, Open City” is focused on the harsh realities of Nazi-occupied Rome, centering on resistance, sacrifice, and human struggle. Representation is grounded in the setting, no one is jammed in based on present-day identity quotas. Characters are fleshed out as products of their time and ordeal, not molded to satisfy modern ideological demands.

Compromised:Cultural Foundations

Not Woke

What is this?

Traditional religion, family, and masculine heroism get strong, respectful treatment. The priest is a genuine moral leader, and familial bonds are front and center. There’s no sneaky subversion or revisionist tinkering to flatten traditional culture or values here. It’s very much of its own era.

Compromised:Ideological Monoculture

Not Woke

What is this?

While the film stands strongly against fascism and gives little room for Nazi sympathizers, it does so from a deeply human perspective, not through crude modern caricature. There’s no hammering home of modern ideological conformity, just a clear moral stance against tyranny.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.