S1m0ne centers its plot around satire of Hollywood rather than identity politics. The characters are cast for narrative reasons, not to check diversity boxes. Simone, the digital actress, is used to lampoon fame culture, not to champion any particular identity ideology. There's little evidence of forced representation or flawless diverse characters, it's more interested in poking fun at industry absurdities than anything overtly 'woke.'

The film doesn’t spend time tearing down traditional values or mocking faith, family, or real masculinity. If anything, it lampoons the artificiality of Hollywood, not cultural roots. Any subversion of roles is played for satirical effect, not as a sermon on gender or social change. It's far more interested in how the industry chases trends than in rewriting history or lectures on morality.

S1m0ne doesn’t preach contemporary social dogma or silence dissenting perspectives. The focus remains satirical rather than ideological. Different viewpoints are presented as part of the industry farce, not as strawman villains. If there's a monoculture, it’s that of Hollywood absurdity, not political correctness or modern identity doctrine.