"Satan's Slaves" keeps its story focused on supernatural horror and family struggle. Characters are crafted around their roles within the family and the occult plot, not identity politics or representation checklists. Diversity feels organic to the Indonesian setting, with no evidence that narrative integrity was sacrificed for ideology. The cast fits the story’s cultural milieu, keeping things non-woke and tension-driven.

The film actually centers on traditional family ties and explores themes like religion and the supernatural within authentic Indonesian culture. If anything, it reinforces family solidarity rather than undermines it, and treats religious beliefs as significant elements. While the occult horror leans on anti-religious supernatural scare tactics, this is par for the genre and hardly amounts to woke revisionism.

There’s no heavy-handed social messaging or agenda-driven character monologuing. Dissenting or traditional viewpoints are not villainized, and characters are portrayed as everyday people in extraordinary circumstances. The plot remains clear of those modern buzzword-laden ideological battles, focusing instead on horror and family.