“Saving Christmas” firmly roots its narrative in religious and traditional values, focusing on reinforcing rather than subverting cultural norms. Characters are written to support a clear moral message rather than promoting identity politics or ticking diversity boxes. There’s little sign of modern ideological interference or forced representation here.

The film unabashedly promotes traditional religion, family, masculinity, and moral values, in direct opposition to typical woke trends. These foundational Western principles are celebrated throughout, rather than undermined. Its entire premise is defending Christmas from secular and modern reinterpretation, hardly woke territory.

While not woke, the film offers a monocultural perspective, focusing exclusively on one religious and ideological viewpoint with little room for debate or pluralism. If you’re not already on board with its message, there’s not much room for alternative worldviews, so it’s a bit of an echo chamber, but not a progressive one.