Solaris (2002) focuses on psychological and philosophical themes, keeping the narrative driven by character and existential questions, not identity politics. Casting choices appear character-appropriate and integral to the storyline. There's little evidence of forced representation or characters inserted purely for diversity's sake. The emotional struggles and philosophical dilemmas take precedence over any noticeable modern ideological agenda.

The film doesn't undermine cultural foundations so much as it examines universal human concerns, grief, love, and the nature of reality. Traditional relationships are central, and no particular attack on masculinity, religion, or family values is evident. Any subversions are rooted in exploring personal trauma, not in ideological statements.

Solaris offers a fairly pluralistic vision, with characters embodying a range of viewpoints about life and existence. There's little evidence of mocking dissent or insisting on ideological conformity; the narrative is more concerned with human mystery than social preaching. No obvious villainization of traditional perspectives occurs.