"State of Play" is driven by a classic newsroom thriller framework, with character motivations and plot twists taking center stage over identity politics. Characters appear grounded in their roles, and casting feels organic rather than agenda-driven. There's no sign of forced representation or characters made flawless simply to score ideological points.

The film sticks largely to its investigative roots, focusing on journalism, ethics, and political intrigue. It doesn’t make a point to undermine religion, family, or traditional values. Masculinity and femininity are portrayed more for realistic tension than ideological signaling.

Alternative perspectives are depicted with nuance, and there's no obvious scapegoating of tradition or dissent. The film actually thrives on conflict between differing moral worlds. No evidence that every character marches in woke lockstep.