While “Steel” stars an African-American superhero, quite rare for the '90s, it doesn't strongly sacrifice narrative for ideology. The film focuses more on Shaquille O’Neal’s character as an individual than as a representative of an identity group, though casting was influenced by trends toward more diverse heroes. Some character depth is lacking, but not in ways that scream forced ideology by modern standards.

Traditional family, community, and military values are treated positively, and the film steers clear of overtly mocking masculinity or religious values. Gender roles aren’t heavily challenged (beyond Annabeth Gish’s physically capable lead), and cultural revisionism is minimal. It’s more of a classic, if campy, superhero origin story than a lecture on modern social norms.

The film lacks any clear ideological monoculture. There's little direct commentary on identity issues, and while some villains are stereotypical, there isn't an obvious attempt to villainize alternative worldviews. Conflicts are straightforward good-versus-evil rather than political or social debates.