Suicide Club is a bizarre and provocative Japanese film with narrative elements that serve its surreal, horror-driven storytelling rather than any modern ideological message. The cast and character arcs seem based on the demands of genre shock rather than identity politics. There is essentially no sign of forced representation or ideological tampering; the film stays focused on its disturbing social commentary.

While the film does question aspects of Japanese society, especially themes like family disconnect and media influence, it does so through a nihilistic, horror lens rather than any fashionable western ideological agenda. It doesn't specifically undermine religion, masculinity, or traditional morality as targets but instead explores existential dread.

Suicide Club doesn't offer any clear ideological monoculture. Its narrative is purposely elusive and ambiguous, leaving space for multiple interpretations. There’s no outright villainization of ‘traditional’ perspectives or cartoonishly woke moralizing, just a chaotic, anarchic approach that resists clean ideological categories.