The film prominently foregrounds a same-sex relationship in 1950s rural Scotland, with identity and social prejudice front and center. While the personal drama is authentic, the story often feels driven more by modern ideological priorities than by organic character motivations or period realism. Some viewers may find character reactions and resolutions too tailored to fit a contemporary agenda, with narrative nuance occasionally sacrificed for symbolism.

Traditional values like marriage, religion, and family are repeatedly portrayed as restrictive or even harmful, with masculinity often positioned as antagonistic. The film tends to depict those clinging to established cultural or moral norms as bigots or small-minded, leaving very little room for a nuanced look at tradition or faith. It clearly subverts gender roles and frames conservative cultural foundations in a negative light.

Alternative views, especially those aligned with the era's norms, are mostly shown as oppressive or villainous, with little attempt at understanding or balance. Dissenters are generally unsympathetic, making it clear which side the film intends viewers to root for. There's little real ideological diversity, as the perspective in favor of progressive modern values dominates nearly every scene.