The film appears to prioritize themes of female empowerment and sexual liberation over nuanced character development or plot complexity. Identity factors and modern gender politics are front and center, subtlety was not invited to this party. The story structure seems to serve the message, rather than the other way around, resulting in a narrative that feels dictated more by ideology than storytelling merits.

Traditional family values, religious concepts, and conventional morality are openly subverted throughout the film. Masculinity is treated as either clueless or antagonistic, while female characters are elevated as enlightened. Themes commonly seen as central to Indian cultural heritage are both mocked and undermined, clearly ticking all the boxes for the ‘progressive’ checklist.

There’s little room for dissenting perspectives here. Traditional viewpoints are lampooned or shown only through caricature, with all main characters ultimately embracing the film’s modern, urban ideology. Any hint of debate or pluralism is swept aside in favor of an unwavering affirmation of the chosen worldview.