The film centers on psychological thriller elements and character-driven storytelling, not identity politics. There’s no noticeable emphasis on forced representation or sacrificing character realism for ideology. The narrative remains focused on suspense and mystery, with characters developed for their narrative utility rather than serving as ideological symbols.

Traditional themes like family dynamics, morality, and personal trauma are explored without subverting or mocking core cultural foundations. The film doesn’t appear to push any particular commentary on religion, masculinity, or gender identity; it keeps its focus on the thriller and dramatic aspects.

No significant ideological monoculture here. Alternative worldviews aren’t villainized, and the film refrains from caricaturing dissenting perspectives. It’s mostly just a psychological mystery, without overt messages or moralizing about identity.