The film’s premise, God is petty and lives in Brussels, with his daughter rebelling against him, leans heavily on irreverence and modern sensibilities. While creative, it appears to prioritize subversive satire and quirky identity-based casting above classic storytelling or grounded character work, often sacrificing narrative focus for ideological gags.

Religious tradition, especially Christianity, is frequently lampooned in this film. God is portrayed as cruel and ridiculous, family is dysfunctional, and long-standing religious imagery is subverted for comic effect. Some viewers may interpret this as undermining the seriousness of faith and traditional values.

The film seems to revel in mocking religious and traditional authority without offering a genuine counterbalance or respectful religious character. Alternative worldviews rarely get a fair shake, and nearly all perspectives converge on irreverence for established norms.