It appears that “The Conference” leans into identity-driven casting and character emphasis. Multiple characters are introduced primarily through their demographic traits rather than distinctive personalities, and certain plot points revolve around modern workplace themes tied to inclusion. While it’s not egregious, the narrative occasionally feels secondary to box-checking.

Some viewers may interpret the film as subtly mocking traditional authority figures and roles, especially in the way managers and older employees are characterized. Family and traditional values aren’t really at play, and the tone suggests skepticism toward older ideas of workplace order or hierarchy.

There is a sense of groupthink woven into the dialogue and character conflicts, traditional opinions are either sidelined or presented in a comedic, mocking light. While not entirely uniform, the worldview defaults toward current ideological trends, with little room for deeper debate.